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Hall
Acoustics
Prediction
of the acoustic quality of rooms
and halls of any size and purpose
Ó
Tisseyre
& Associés
IDDN FR 001 420 005 00 SP 1999 000
30500

Presentation
- Listening
room module -
Calculation : Acoustic illumination - Temporal
sound decay - Attenuation of sound in space
- Intelligibility - Directivity
PRESENTATION
Acoustics
predicting software developed in the Windows environment by TISSEYRE & Associés
is the basis for computer models supporting the architectural acoustics
design of operations carried out by TISSEYRE & Associés;
which garantees results obtained through its modeling.
The
Hall Acoustics software simulates the acoustic behaviour of a hall
with the help of the finite element technique, so allowing a constraints
analysis. It is based on diffuse reflexion on the elements and directive
reflexion on the walls hypothesis.
Adapted
to volumes of any shape, it makes it possible to display and evaluate
the acoustic quality, and therefore optimize, the design of the hall
under study.
Two
main room families may be studied :
Listenning
halls : theatres,
conference halls, concert halls, etc
Musical activity rooms : concert
halls, operas, recording studios, etc...
The
meshing technique makes it possible to adjust the calculation precision
to the constrainsts and objectives.
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LISTENNING
ROOM MODULE
I
- Geometric modeling
- Creating
the hall volume, possibly using Autocad.
- Displaying
the volume ; various views, zoom, checking the constitution
of the surfaces (automatic verification algorithm).
- Meshing
the surfaces: the user chooses the meshing fineness as
a function of the specific acoustic constraints on each
surface and on the furniture.
- Setting
the acoustic absorption coefficients on each surface.
- Positionning
musicians or speakers.
- Choice
of musical instruments: various directivity patterns.
II
- Calculation
- Sound
pressure levels, T60, echogram.
- Attenuation
of sound with distance and Gmid.
- Relative
acoustic illumination on the surfaces of the model.
- The
room’s acoustic indices: definition, clarity,
lateral fraction.
- Directivities,
i.e. directions from which, at a given reception point,
the acoustic intensity emanates:
- static
directivity (constant sound source)
- dynamic
directivity (impulse sound source), time repartition
of the received energies: instantaneous
or cumulated.

The
Shanghaï Opera model
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Calculation
of the acoustic illumination
Based
on the directivities of musical instruments or of the voice,
the acoustic illumination distribution on stage and
on the audience zone is calculated. |
Violon
1 kHz
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Flûte
1 kHz
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Saxophone
1 kHz
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Grand
Auditorium Rainier III Monte Carlo
Sound coverage by a symphony orchestra – 2 dB(A)/ color change
The
meshing technique makes it possible to visualise the influence
of the furniture: e.g. acoustic raisers in the
auditorium of Monte-Carlo.
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Echogram
with and without acoustic raisers on the seats - 0.2 second
increase
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Calculation
of the temporal sound decay
Neither
classic methods nor statistical methods offer a complete solution
to the calculation of the temporal sound decay. The Hall Acoustics
software therefore allows the automatic calculation of an echogram
over the first 300 milliseconds, an essential domain for the
calculation of most hall objective parameters, EDT, D50, C80,
LF, G.
Kiev
Congress Hall, temporal sound decay
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Calculation
of the attenuation of sound in space
Calculation
is carried out in any direction, making it possible to visualize
an increase or a loss in energy due to the orientation of a
reflector.
This calculation allows the prediction of the sound level of
the technical equipment.
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Sound level induced by the lighting |
Official
reception building – Yamama Palace - Riyadh
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Sound level induced by the ventilation
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Calculation
of the intelligibility
Based
on the model of the hall, the intelligibility index as a percentage
of phonemes understood is determined at any point
in the room.
Intelligibility map of the Théâtre de la Cité in
Toulouse
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Calculation
of the directivity
This
quantity represents the intensity received from all the directions
in space at a selected reception point. It displays the main
arrival directions of the acoustic intensity at the selected
point.
The dynamic directivity (the evolution of this representation
with time) makes it possible to view the energy received as a
function of time, and to calculate the lateral fraction (LF).
This makes it possible to control the superposition of the acoustic
and the visual planes.
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1/Static
directivity

Grand auditorium
of the Palais des Congrès, Porte
Maillot – PARIS
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Directivity of reception
view from above, with reflector
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Directivity of reception
view from above, without reflector
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Tilt and design of the side panels.
View of their effect on the lateral efficiency.
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2/Dynamic
directivity

Grand
Auditorium Rainier III of Monte Carlo
Directivity of reception in large orchestra configuration - Reception
at the right-hand side of the conductor
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Main
models achieved to this day
:
Operas :
Acropolis
Nice, Opera of Shanghaï, Opera of Chongqing, Opera of Beijing,
Opera of Canton..
Congress halls : Porte Maillot Paris, Kiev Ukraine, Berlaymont
2000 Belgium, Al Shura Riyadh.
Auditoriums : Beijing Concert Hall, Saint-Jean Corbeil, Alençon,
Bayonne, Toulouse, Bayeux, Monte-Carlo.
Theatres : Neuilly,
Périgueux, Narbonne,
Nîmes, Vincennes, Toulouse, Dinan, Les Célestins in
Lyon
Large volumes: Grand Palais Paris, Official Reception Building Riyadh.
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