Hall Acoustics
Prediction of the acoustic quality of rooms
and halls of any size and purpose

Ó Tisseyre & Associés
IDDN FR 001 420 005 00 SP 1999 000 30500



Presentation - Listening room module -
Calculation : Acoustic illumination - Temporal sound decay - Attenuation of sound in space - Intelligibility - Directivity

PRESENTATION

Acoustics predicting software developed in the Windows environment by TISSEYRE & Associés is the basis for computer models supporting the architectural acoustics design of operations carried out by TISSEYRE & Associés; which garantees results obtained through its modeling.

The Hall Acoustics software simulates the acoustic behaviour of a hall with the help of the finite element technique, so allowing a constraints analysis. It is based on diffuse reflexion on the elements and directive reflexion on the walls hypothesis.

Adapted to volumes of any shape, it makes it possible to display and evaluate the acoustic quality, and therefore optimize, the design of the hall under study.

Two main room families may be studied :

Listenning halls  : theatres, conference halls, concert halls, etc…
Musical activity rooms :
concert halls, operas, recording studios, etc...

The meshing technique makes it possible to adjust the calculation precision to the constrainsts and objectives.

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LISTENNING ROOM MODULE

I - Geometric modeling

  • Creating the hall volume, possibly using Autocad.
  • Displaying the volume ; various views, zoom, checking the constitution of the surfaces (automatic verification algorithm).
  • Meshing the surfaces: the user chooses the meshing fineness as a function of the specific acoustic constraints on each surface and on the furniture.
  • Setting the acoustic absorption coefficients on each surface.
  • Positionning musicians or speakers.
  • Choice of musical instruments: various directivity patterns.

II - Calculation

  • Sound pressure levels, T60, echogram.
  • Attenuation of sound with distance and Gmid.
  • Relative acoustic illumination on the surfaces of the model.
  • The room’s acoustic indices: definition, clarity, lateral fraction.
  • Directivities, i.e. directions from which, at a given reception point, the acoustic intensity emanates:
    • static directivity (constant sound source)
    • dynamic directivity (impulse sound source), time repartition of the received energies: instantaneous or cumulated.


The Shanghaï Opera model

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Calculation of the acoustic illumination

Based on the directivities of musical instruments or of the voice, the acoustic illumination distribution on stage and on the audience zone is calculated.


Violon 1 kHz

Flûte 1 kHz

Saxophone 1 kHz


Grand Auditorium Rainier III Monte Carlo
Sound coverage by a symphony orchestra – 2 dB(A)/ color change

The meshing technique makes it possible to visualise the influence of the furniture: e.g. acoustic raisers in the auditorium of Monte-Carlo.


Echogram with and without acoustic raisers on the seats - 0.2 second increase

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Calculation of the temporal sound decay

Neither classic methods nor statistical methods offer a complete solution to the calculation of the temporal sound decay. The Hall Acoustics software therefore allows the automatic calculation of an echogram over the first 300 milliseconds, an essential domain for the calculation of most hall objective parameters, EDT, D50, C80, LF, G.

Kiev Congress Hall, temporal sound decay


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Calculation of the attenuation of sound in space

Calculation is carried out in any direction, making it possible to visualize an increase or a loss in energy due to the orientation of a reflector.
This calculation allows the prediction of the sound level of the technical equipment.





Sound level induced by the lighting
Official reception building – Yamama Palace - Riyadh



Sound level induced by the ventilation

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Calculation of the intelligibility

Based on the model of the hall, the intelligibility index as a percentage of phonemes understood is determined at any point in the room.


Intelligibility map of the Théâtre de la Cité in Toulouse

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Calculation of the directivity

This quantity represents the intensity received from all the directions in space at a selected reception point. It displays the main arrival directions of the acoustic intensity at the selected point.
The dynamic directivity (the evolution of this representation with time) makes it possible to view the energy received as a function of time, and to calculate the lateral fraction (LF). This makes it possible to control the superposition of the acoustic and the visual planes.

1/Static directivity


Grand auditorium of the Palais des Congrès, Porte Maillot – PARIS


Directivity of reception
view from above, with reflector

Directivity of reception
view from above, without reflector
Tilt and design of the side panels. View of their effect on the lateral efficiency.

2/Dynamic directivity


Grand Auditorium Rainier III of Monte Carlo
Directivity of reception in large orchestra configuration - Reception at the right-hand side of the conductor

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Main models achieved to this day :
Operas : Acropolis Nice, Opera of Shanghaï, Opera of Chongqing, Opera of Beijing, Opera of Canton..
Congress halls : Porte Maillot Paris, Kiev Ukraine, Berlaymont 2000 Belgium, Al Shura Riyadh.
Auditoriums : Beijing Concert Hall, Saint-Jean Corbeil, Alençon, Bayonne, Toulouse, Bayeux, Monte-Carlo.
Theatres :
Neuilly, Périgueux, Narbonne, Nîmes, Vincennes, Toulouse, Dinan, Les Célestins in Lyon
Large volumes: Grand Palais Paris, Official Reception Building Riyadh.